WSDG has completed the acoustic and AV technology design for Billionaire St. Moritz, a new dinner show and clubbing venue connected to the Grand Hotel des Bains Kempinski in Switzerland.

The 1920 Battle of Warsaw Museum in Ossów, Poland, has completed an immersive AV installation using technology from across Harman Professional’s portfolio to support exhibition content and live programming.

Barcelona cinema Phenomena Experience has installed a Christie CP4435-RGB 4K RGB pure laser projector as part of a wider renovation of its single-screen venue.

Tateside redesigned a technically complex sales and marketing suite in London, creating an immersive property experience for homebuyers.

Forté and GPA will end their six-year partnership on December 31, 2026, a move that raises questions over GPA’s future coverage in the US and several European markets.

The JAG Hotel has integrated a Genelec Smart IP system for its new, lavish cocktail bar, office floor, and penthouse suite.

Extron’s DTP CrossPoint series has strengthened operations at the Human Longevity’s medical clinic, delivering a unified, standards-based AV system.

Nature sound recordist Thomas Rex Beverly used a Sennheiser audio system to plunge beneath the Pacific Ocean to capture the songs of humpback whales.

Stage Audio Works has installed a new audio setup to Father’s House Church in Gqeberha with distributed Plus Audio system, the new system had to overcome low ceilings and hard room reflections.

A research team in Korea has taken a new approach to telepresence systems, that have traditionally worked in a way that does not reproduce the actual light field from a real object or person. Instead, they estimate shapes, surfaces, or depth maps and then render a 3D-looking image using computational models. This can create convincing visual effects, but it does not fully preserve the physical behavior of light, such as diffraction, phase, and natural depth-dependent focusing. A research team led by Professor YongKeun Park at Korea Advanced Institute of Science and Technology (KAIST), South Korea, has developed a different approach. Rather than first turning a real scene into a geometric model, the system directly captures the complex optical wavefront of the scene.